作者 大贯惠美子（Emiko Ohnuki-Tierney），威斯康星大学-麦迪逊人类学系教授，以历史人类学、象征人类学见长。早年研究底特律的华人，后转向阿伊努人，再转向日本人。美国艺术与科学院院士，多次获古根海姆和其它学术奖。主要作品有：《神风特攻队日记：反思日本学生兵 》（2006）；《神风特攻队、樱花与民族主义：日本历史上美学的军国主义化》（2002）；《作为自我的稻米：日本人穿越时间的身份认同》（1993）；《穿越时间的文化：人类学的路径》（主编，1990）；《作为镜子的猴子：日本历史与仪式的转化》（1987）；《当代日本的疾病与文化：人类学的观点》（1984）；《萨哈林岛阿伊努人的疾病与治疗：一个象征解释》（1981）等。 译者 石峰，人类学博士，贵州师范大学历史与政治学院教授。

Why did almost one thousand highly educated "student scholars" volunteer to serve in Japan's "tokkotai" (kamikaze) operations near the end of World War II, even though Japan was losing the war? Did they embody the imperial ideology both in thought and in action? In this study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the st...(展开全部)

Why did almost one thousand highly educated "student scholars" volunteer to serve in Japan's "tokkotai" (kamikaze) operations near the end of World War II, even though Japan was losing the war? Did they embody the imperial ideology both in thought and in action? In this study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the st...(展开全部)

作者 大贯惠美子（Emiko Ohnuki-Tierney），威斯康星大学-麦迪逊人类学系教授，以历史人类学、象征人类学见长。早年研究底特律的华人，后转向阿伊努人，再转向日本人。美国艺术与科学院院士，多次获古根海姆和其它学术奖。主要作品有：《神风特攻队日记：反思日本学生兵 》（2006）；《神风特攻队、樱花与民族主义：日本历史上美学的军国主义化》（2002）；《作为自我的稻米：日本人穿越时间的身份认同》（1993）；《穿越时间的文化：人类学的路径》（主编，1990）；《作为镜子的猴子：日本历史与仪式的转化》（1987）；《当代日本的疾病与文化：人类学的观点》（1984）；《萨哈林岛阿伊努人的疾病与治疗：一个象征解释》（1981）等。 译者 石峰，人类学博士，贵州师范大学历史与政治学院教授。

Chekov's great tragicomic eulogy for a passing way of life is superbly adapted to make a powerful and beautifully playable drama. Plays for Performance Series.

Chekov's great tragicomic eulogy for a passing way of life is superbly adapted to make a powerful and beautifully playable drama. Plays for Performance Series.

Evoking modern physics and antique metaphysics, Winterson's ambitiously eccentric narrative challenges her readers to rupture the boundaries of conventional perceptions and linear experience of time. Her narrative voices, alternating between a Rabelaisian giantess and her foundling son, collapse at times into one another and the characters plunge vertiginously through time and ...(展开全部)

' A book of innocence and bawdiness, fury and joy... needs to be read and re-read' —— The Times ' Read it and marvel. Jeanette Winterson's voice is startlingly original, and her imaginative feats are utterly dazzling' —— Cosmopolitan The Hopi, an Indian tribe, have a language as sophisticated as ours, but no tense for past, present and future. The division does not exist. What ...(展开全部)

In a fantastic world that is not 17th-century England, a baby is found floating in the Thames. Rescued by the Dog Woman, a murderous gentle giant, the baby soon grows up to discover that the strangest wonders are the ones spun out of his own head. "Fuses history, fairy tale, and metafiction into a fruit . . . of a memorably startling flavor".--"New York Times Book Review".

Evoking modern physics and antique metaphysics, Winterson's ambitiously eccentric narrative challenges her readers to rupture the boundaries of conventional perceptions and linear experience of time. Her narrative voices, alternating between a Rabelaisian giantess and her foundling son, collapse at times into one another and the characters plunge vertiginously through time and ...(展开全部)